Shezad Dawood

Shezad Dawood works across film, painting and sculpture to juxtapose discrete systems of image, language, site and narrative, using the editing process as a method to explore meanings and forms between film and painting. His practice often involves collaboration, working with groups and individuals across different territories to physically and conceptually map far-reaching lines of enquiry. These networks chart different geographic locations and communities and are particularly concerned with acts of translation and re-staging.

two men working in an eerily lit lab with jars everywhere
Shezad Dawood, Leviathan Cycle, Episode 1: Ben, 2017, single screen, 12:52 mins. Commissioned by University of Salford Art Collection, Outset Contemporary Art Fund and Leviathan–Human & Marine Ecology, with support from The Contemporary Art Society.

Curator

Fatoş Üstek

Fatoş Üstek is director of Liverpool Biennial, jury member for Turner Prize 2020, external member of acquisitions committee for Arts Council Collection (2018-2020). She is recipient of curatorial fellowship at Tornabuoni Art, London 2018, curator of Do Ho Suh’s largest commission in the UK (2018-2020), co-commissioned by Art Night and Sculpture in the City.  She formerly acted as director and chief curator of DRAF (David Roberts Art Foundation), curator of miart Talks 2018, Milano; Art Night 2017, East London; and fig-2, 50 projects in 50 weeks, 2015, ICA Studio, London. Üstek is contributing editor to Extra Extra, chief-juror for the Celeste Prize 2017. She is a founding member of Association of Women in the Arts (AWITA); Art Nights Trustee, member of AICA UK, and ICI Alumni. She curates, lectures and publishes internationally, recently at Sotheby’s, Goldmisths College, RCA and in art magazines such as Mousse, L’Officiel and Camera Austria.

Artists